NATALIAESPAIN

Projects made for real people and real brands. Some were commissioned; others are collaborations I took on with — and for — artists I wanted to work with. Each piece says which.

LIVECollaboration

Miss Lupe

Website for Miss Lupe (DJ · producer · singer), with 3D objects you can rotate in real time. Design, build and 3D modelling — made together with a fellow student.

Three.jsWebGLWeb Design3D Modelling

Open the site ↗

// ESTÉTICA JAZ · COMMISSIONED · 2025

Estética Jaz

Meta Ads campaign and visual assets for a beauty clinic — including the Booster product video (motion graphics + AI-generated footage) and a system of carousels and posts for Instagram.

+40%in sales

46

Click a piece to open it · carousels swipe through every slide

Meta AdsAfter EffectsIllustrator

A collaboration with Vic Mielke, an emerging DJ who wanted a futuristic visual identity for her Instagram. Starting from a photo shoot, I generated a whole visual world for her with AI — same body, another dimension. Hover over each image to reveal the before and after.

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CircuitsBeforeAfter

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EnergyBeforeAfter

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PedestalBeforeAfter

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DeconstructionBeforeAfter

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// ONE SHOT, TWO UNIVERSES

From the same studio photo, two possible outcomes.

Client work

01⇋

Graphic Design · Hot House

Weekend Picks — Carousel

01 · Graphic Design · Hot House

Weekend Picks — Carousel

Instagram carousel picking the four best parties of the weekend: a cover plus one card per date, each with venue, line-up and set time. Designed in Illustrator on the Hot House brand palette.

View gallery ↗

// HOT HOUSE · WEEKEND PICKS

Recommendations carousel

A recurring format for the channel: the weekend's best dates, one card each, with venue, line-up and set time. Cover first, so the post reads at a glance in the feed.

View the post on Instagram ↗

Illustrator

// MODELLING · TEXTURING · LIGHTING · ANIMATION

3D

[ 2 PIECES / C4D · ARNOLD · AE ]

Both pieces start from an empty scene: every model, material, light and camera move is mine. No stock geometry, no downloaded assets — the slowest work in here, and the part that shows the whole pipeline rather than just the animation.

// FEATURED · BUILT FROM SCRATCH

Peruvian Culture

Three floating islands drifting above the clouds, linked by rope bridges, each one carrying an icon of Peruvian culture. Modelled and animated in Cinema 4D, textured and rendered with Arnold, then edited with its sound design in After Effects.

Cinema 4DArnoldAfter Effects

University project

Inside the sceneStills from the final render.

1. 01

   Modelling

   Every asset built from primitives — no stock geometry
2. 02

   Texturing & lighting

   Materials authored and rendered with Arnold
3. 03

   Animation

   Camera moves and scene animation keyframed by hand
4. 04

   Comp & sound

   Final edit, effects and sound design in After Effects

Also in 3D

// CREATURE DESIGN · CINEMA 4D

Alien Bee

An alien bee inside its hive: the creature, the larvae and the honeycomb are all custom geometry, modelled and animated from scratch in Cinema 4D and lit around the red glow of the hive. Post-production and finishing in After Effects.

Cinema 4DAfter Effects

University project

Studies & personal practiceCoursework and self-initiated pieces — not client commissions.

My day job is production under brand guidelines: building, localising and publishing pages for global brands, with reusable templates and multi-language versioning — and editing and optimising the imagery that goes into them.

Design projects made for university or on my own initiative. The brands here are fictional — they are exercises, not commissions.

Illustration, painting and tattoo design I make for myself, under the name Marandina. It keeps my drawing sharp — it is not commissioned work.